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myceliacrochet · 1 month ago

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I feel so overwhelmed. I have no income, no stable place to live, and hundreds of people coming to me who need thousands of dollars each to avoid getting incinerated, starved, tortured. I make crochet -- when I can get supplies -- and I'm trying to make stickers, when I can get supplies... I'm not very employable and everything is so expensive and it's all falling on my roommate.

I need to hold a fundraising event

Everyone is either stretched to their limits helping or can't be bothered

I'm doing my best to reblog, follow, and react every single campaign I can that is either vetted or has a clean RIS. I'm telling myself that I'm doing enough by contributing art and promoting these campaigns, but the reality is people need money and I'm giving them condolences and things that may not help much.

I had a bit of success promoting Omar's campaign and foolishly believed I could get those kinds of results again. Tumblr staff is being beyond ruthless, attacking even the critical and dangerous vetting work people are risking their lives for on the ground.

I don't know what to tell people who are coming to me for help in what may be their last moments and I'm like "hey here have a shitty art I made that might make a miniscule difference but probably won't. All the best!" I try to respond through my actions instead of words because like Kurt Vonnegut said there's fucking nothing to say about genocide because no one's meant to say anything they're just meant to get blown up. So then I'm ignoring the people who most need help in the world, coldly turning away. So I say sorry and offer these small useless things as if it means anything and every day I lose more sanity and meaning in my life because doing less than what I can to help people not get genocided takes all the color out of my world. I can't imagine truly relaxing or enjoying anything until there's no genocide happening anymore, and I don't see that happening. I feel hopeless like I did in 2016 but this time there's no back door out.

Every time I start to work on something I feel hopeless like it won't work

I have to get my ass into gear, which means I need to:

- pick up my prescription for strattera, I guess I have that now. That will help me focus

- get back on my antidepressants as soon as Fatima's campaign hits $10,000. That will help me keep moving

- talk to other organizers so we can work together.

I am drowning, I am burning in this hxll created by my own culture. Every day they torture the children and the adults come into my DMs and scream help us please please someone help us.

All I can do is do my best every day. I'll keep moving forward

Doing something is better than doing nothing, gxddammit, which means I'm doing a good job I guess, it's just little comfort as I watch the children get engulfed in flames.

Like, I know I can't end all genocide on my own but there's got to be more effective things that I personally can do.

I guess I'll check out one of those lists of things you can do other than donating money

If anyone has yarn to donate and/or could cover shipping or help me find free yarn in my area, that would be so helpful. Because there's nothing I'd rather do than tune out and crochet most of the time and sell it for myself and others.

Please talk to me about how we can work together to help these precious people!!! I need to do more

@monstermashpotato @sylvianritual @gazavetters @determinate-negation @dlxxv-vetted-donations

@gaza-evacuation-funds @gazagfmboost @fly-sky-high-09 @90-ghost @nabulsi @halalchampagnesocialist @huzni @hussyknee @notallmensheviks @neechees @fuckyeahmarxismleninism @fayruz0-blog @gothhabiba @radicalgraff @marxism-transgenderism @marxist-lesbianism @voyagerprobe @workersolidarity @cheezbot @gayspacemonk @bogleech @slitherbop @butchniqabi

I guess I just need to work on my small business... Idek if I'm even helping by reblogging all this stuff, I'm just spending hours a day spreading stuff around to other people who can't really donate. I just seem to be wasting people's time who are going through genocide, I might even be only adding to their suffering. I don't know if I have the moral fibre to do this work, idk I just seem to cause bad things to happen to myself and everyone around me by dedicating so much time to reblogs instead of just securing an income, paying my bills, and being content to give a "reasonable" portion to genocide relief. I can't do that, I have to give all or most of myself but then I'm just a burden to my roommate and others. Or going all out and doing something really big that could really bring in the money they need

I'm sick but people need me

I guess what I'm seeing here is that I need to switch gears to working on crochet more and that will help me be able to help people and it will also be better for my mental health. I'll work on getting the supplies I need to continue. But idk I'll come back to this later and figure it out.

Thank you for listening I wish I could just let my brain scream to death but like people need me to keep it together so I can actually help but I'm at a loss as to how to help

I'll do it gxddammit I'll fucking get it done I'll crochet for this and it will make a difference and I don't have to suspend happiness until this is over I have to maintain some of that light of happiness within. It's not all on me we are working together

Hey 🩷 So I wanted to let people know that I am safe now. I'm back on my most necessary meds, I've applied for SNAP and general assistance, and I'm feeling stronger after having some more success promoting campaigns.

We are living during multiple holocausts. I take comfort in doing the work. We're making a difference in people's lives.

Thank you for helping me keep my head up. Let's keep going.

#free gaza #free palestine #gaza genocide #from the river to the sea palestine will be free #gaza #gaza solidarity #the gaza strip #mutual aid #children of gaza

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alaamomtoleen · 2 months ago

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‏In the Depths of War: A Wounded Soul’s Plea for Help 🥹🍀

In the midst of war, hope feels like a distant memory. But sometimes, even in the darkest moments, fate intervenes.

After being forced to flee my home in Gaza, I made my way south. I first sought refuge in the town of Al-Qarara, only to continue my journey to the city of Khan Younis. It was there, as I tried to find safety amidst the chaos, that I was struck — wounded in my leg. The pain was excruciating, but fear gripped me more tightly than the injury itself.

I couldn’t bring myself to go to any hospital. I knew that the hospitals were running out of crucial supplies, including anesthesia. The thought of undergoing surgery without any pain relief was too much to bear. The fear of that unbearable pain kept me from seeking help.

But fortune, in the most unexpected way, found me. 🥹🤞🏻

The Jordanian field hospital had been set up in Khan Younis, close to where I was staying. I was lucky — incredibly lucky. I was able to receive surgery in that field hospital. But even then, the agony was overwhelming. The pain of war, of displacement, of injury, all mixed into one unbearable sensation.

I am sharing my story not just as a reflection of the hardships I have faced, but as a plea. There are countless others in Gaza who are not as fortunate as I was, who are in desperate need of medical care, shelter, and support. This war has torn us apart, and we need the world to come together to help rebuild what has been destroyed.

Please, if my story moves you, consider donating to organizations providing aid to me and my family. Every bit helps — every donation, every share, every effort to raise awareness. We here are fighting to survive, and we need you to fight with us in the way you can.

@el-shab-hussein @90-ghost @nabulsi @dykesbat @feluka @schoolhater @stuckinapril @appsa @ibtisam @timetravellingkitty @meaganandersoncolor @briarhips @mahoushojoe @rhubarbspring @commissions4aid-international @wellwaterhysteria @mangocheesecakes @kyra45-helping-others @marnot-blog @7bittersweet @tortiefrancis @toiletpotato @fromjannah @omegaversereloaded @vague-humanoid @criptocracia @amygdalae @ankle-beez @chilewithcarnage @ghelgheli @sayruq @deepspaceboytoy @mohamedddw @junglejim4233 @post-impressionisms @irhabiya @neptunerings @heritageposts @ot3 @mazzikah @pcktknife @kibumkim @sawasawako @watermotif @mavigator @lacecap @socalgal @tododeku-or-bust @khanger @magnus-rhymes-with-swagness

#free gaza #gaza gfm #gazaunderattack #gfm #gofundme #help gaza #palestine gfm #please help #pls help #send help #emergency funds #go fund them #fundraiser #go fund me #donate #donate if you can #donations

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eyelessfaces · 1 year ago

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𝐊𝐈𝐍𝐊𝐓𝐎𝐁𝐄𝐑: 𝐃𝐀𝐘 𝐓𝐖𝐄𝐋𝐕𝐄

𝐊𝐈𝐍𝐊𝐓𝐎𝐁𝐄𝐑 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓

steven grant x reader

𝐤𝐢𝐧𝐤: formal wear

warnings: dry humping, cumming in pants

word count: 1k

updates blog: @eyelessupdates

It's strange, the way that you feel when he comes out of the bathroom, suit so neat and curls slicked back, the faint smell of aftershave stilling in the air.

It makes your heart race and skip a beat at the same time, it makes your stomach flutter, and you see his cheeks turning a bright shade of red under your gaze.

"What? I look stupid don't I" he chuckles looking down at himself, adjusting the left sleeve of his jacket.

"Stupid?" you repeat, a scoff escaping your lips. "Steven you–" you take a step closer to him, a hand coming to cup his cheek, making him look back up at you. "You look so handsome."

A flattered smile grows over his face, and he thanks you quietly, almost as if he didn’t believe the compliment.

“Fuck I can’t let you go like that, everyone is gonna want you” you laugh looking up and down at him again, adjusting his shirt collar.

The museum had organized some sort of gala, a charity event with people in powerful positions. It was the best occasion for Steven to make a good impression on people that had more power than Donna.

He chuckles before speaking. “It’s a bunch of old people and… Donna. I don’t think you’ll have any competition, love”

“You never know” you shrug playfully, and he scoffs at the stupidity of your words as he walks to the couch.

“Are you gonna start getting ready soon? We still have time but I’d like to arrive there as soon as it starts” he explains as he sits down.

“Yeah don't worry I'll get to that” you smirk as you join him to the couch, straddling his lap. His hands quickly settle at your hips, and he’s now the one to look you up and down.

It’s cute, the way he still blushes and looks up at you with big doe eyes just the way he did the first time you ever did that.

“I mean it, when I say you look handsome” you nod.

“I know you do” he smiles sheepishly.

“And you know I never lie to you, right?”

He hums in approval.

“Then you should believe me when I say it” you declare as you lean down to capture his lips in a kiss, one of his hands leaving your hip to come and rest at the back of your head.

He shifts in place to get in a more comfortable position, and your mouth opens in a moan when his thigh accidentally rubs against your crotch.

“Oh” he scoffs as he pulls away, looking down at your crotch, a sly smirk over his face. “Now that’s interesting innit?” he teases, and you’re the one to blush now. “Should I–�� he moves his thigh so it can brush against you again, and he laughs when you whine at the fiction.

“Fuck Steven, don’t be a tease” you pant as your forehead presses against his, looking down at your crotch. It’s quick, the way your body starts to get overwhelmed with lust, and it’s emphasized when both of his hands settle back onto your hips to ground you back onto his thigh.

“C’mon, work for it” he tilts his head to the side, and even though it’s not an order you interpret it as such, you have to when he looks up at you through his lashes with lustful yet soft eyes.

Your head tucks into the crook of his neck when you start to slowly grind back and forth on his thigh, the pressure feeling just right on your clit. Your breath feels hot against his skin, and though it feels pleasant, he wants to see your eyes, the way your face contorts in pleasure.

“Don’t hide, I want to see that sweet face of yours”

You oblige, your hands resting against the back of the couch, caging around his face. He pulls you towards his face to kiss you again, his tongue slipping into your mouth this time. He takes his time to explore your mouth as your hips sensually roll against him, and the small whines you pour into his mouth can’t help but make his slacks feel tighter.

When you pull away your faces still remain close, your pants mixing with his warm breath as he looks down at where you’re moving. You curse under your breath when he lifts up his thigh just a little bit so it can press closer against you, making him bite down on his lip.

His hands guide you back and forth, the friction of all the layers of clothes against your needy clit drawing small, sweet noises from you. “That’s right love” he murmurs as he looks up at your eyes, mesmerized by how much you seemed to enjoy this.

“Wait– just–” you shift and position yourself to grind against his crotch, his head hitting the back of the couch at the friction against his hard-on.

“Oh bollocks” he huffs out, a small chuckle leaving his mouth at the same time.

"Yeah, right," you grin, calculating the rolling of your hips so you can grind exactly where he needs you to.

The friction is maddening, especially when you can feel him twitch in his pants underneath you. Your head falls back with a whine, your heart racing faster by seconds.

“Oh– you close darling?” you nod hastily, eyes shut tight. It only takes a few back and forth movements before your mouth gapes in a silent cry, waves of relief washing over you as you keep grinding against Steven so he can get his own release.

It doesn’t take long either; not with the way he squirms and bucks up into you, chasing after you for more. He bites down on his bottom lip and whines before–

"Oh fuck love I'm gonna– Oh shit," his head falls back again, exposing his perfume sprayed neck as he spills inside his pants with a small grunt.

You kiss his cheek before you leave his lap, sitting next to him.

“Bloody hell I have to change now” he chuckles as a hand covers his eyes, a small laugh slipping from his mouth. “But it was worth it”

—

as always please reblog and tell me your thoughts it helps a lot!!

moon knight taglist: @apollo-enthusiast @scarabgrant @lockleysgrl @my-secret-shame-but-fanfiction @missmarmaladeth @alexxavicry @mystinky-butt @anightshift @wibblywobblytimesindeed @whatthefishh @grxywindd @campingwiththecharmings @bubuslutty @mintgreen24 @dameronshandholder @spider-starry @jakecockley @midnight-the-shadow-wolf @cocodiem @pedropascalsidechick @spxctorsslxt @friedwings @weasleybuns @luxisluxurious @himesuedi @daisydark @violet-19999 @stvnnie

+ @flightlessangelwings

#steven grant #steven grant x reader #steven grant x you #steven grant fanfiction #marc spector #marc spector x reader #jake lockley #jake lockley x reader #moon knight #moon knight x reader #steven grant fic #steven grant smut #oscar isaac #kinktober #kinktober 2023 #fawkinktober

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honeytonedhottie · 7 months ago

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HONEYS IT GIRL MAGAZINE april edition⋆.ೃ࿔*:･🎀

welcome back to honeys it girl magazine, this is the april catalog. get ready for the inside scoop on data that i've collected, things i've learned/started doing, and just general info like that organized in kind of a teen-magazine inspired fashion. this particular addition's collaborator is @pinkpigtailsprincess and its an HONOR. so pls look forward to the magazine for it girls �� and now please enjoy, the it girl magazine.

SUMMER WARDROBE PREP ;

as we've talked about in this post right here, summer is right around the corner and we need to make the fashion count. april fashion is all about the transition from spring -> summer and in doing so gracefully there MUST be preparation.

for any season i think that camisoles r amazing because in the colder seasons like autumn or winter, u can wear camisoles underneath zip up jackets. in the summer and spring time u can wear camisoles as they are and they're so cute either way.

the key to camisoles is the length and the color and for the spring to summer transition, i advise u to steer clear of darker colors or thicker textures and go for more light/flowy, colorful pieces.

FOR THE BLOG ;

i haven't been very active on my blog (or at least thats how i feel) as much as i usually am and thats because school has been kicking my ass. now that the school year is wrapping up i have something that i'd like to introduce to the blog.

MY MASTER CLASS - i wanted to formulate a class that rly went in depth about manifestation so i decided to make a google class in which i hopefully simplified manifestation. just like in my blog, except in the class i formulate challenges, assignments etc.

the post where i go more in depth about the master class is coming out on wednesday (may first) so i hope that u guys look forward to and take advantage of this new resource 🍭🎀

FOR THE WELLNESS GIRLIES ;

if theres one thing that i tried to keep central this month was my health, so there r two things in particular that i honed in on and they are mindfulness and stress management.

MINDFULNESS - i wanted to focus on being more present in my emotions and just focus on the now more than anything. just kind of putting things into perspective. i've had time to ponder a lot of things and kind of tackle the big questions that i like to avoid and once u sort that out it feels like a weight has been lifted off ur shoulders.

STRESS MANAGEMENT - idk whats going on but my emotions have been all over the place and i've been feeling particularly stressed and overwhelmed so what i've been doing to manage that is mindful breathing and affirming affirmations that remind me that im safe, im fine etc.

and later on once im in a clearer headspace i'll journal thru my emotions and kind of sort them out that way im not harboring anything negative yk? and thats usually what helps me.

DOLLY'S SECTION, @pinkpigtailsprincess "SOME OF MY FAVS AND WHAT WE CAN LEARN FROM THEM

Some of my fav it girls What we can learn from them!!🎀

The Boss

Whitney Gilbert + Rihanna + Lil Kim

The Smart Sweethearts

Jang Wonyoung + Elle woods

The Glitzy Dolls

Kimora Lee Simmons + London Tipton

| 𝜗𝜚 ݁ ˖ The Smart Sweetheart !! 🎀

...📧 : Wonyoung & Elle are absolutely perfect for self expression and not letting other peoples opinions get too you both of them are unapologetically Super Feminine & Sweet even people

talk down about them, they always rise up and prove them wrong no matter how much people talk all while sporting their extremely feminine personality and fashion taste no matter how much they get stereotyped as a “dumb blonde” “pick me” or “air head” they know themselves

and thats all thats matter to them!! 🎀 Now all three of these women are incredibly smart thats have achieved major academic

success let’s look at what we can individually learn from them!!

🎀 ; Jang Wonyoung The Successful K-Popstar thats has gotten global success who has the perfect princess beauty

has inspired an ongoing lifestyle trend by the Name of “Wonyoungism” a trend inspired by the beautiful fans of Jang Wonyoung where her fanbase practices and promotes Taking care of them selves and being the best version of them selves and taking inspiration from won young to

⁃ workout

⁃ eat healthy meals

⁃ take care of their skin

⁃ practice good habits

⁃ attaining their goals

⁃ ambition & hard work

⁃ being nice & inspiring others to also joij in on becoming the best version of themselves and have an unbreakable mentally inspired by her famous quote “No Problem I don’t care you’re you i’m me!” and taking after won-young in having a high self concept and hard work no matter what!! and never letting opinions get too you even when she was getting dragged on the internet she gave them more reasons to hate on her even though they know nothing about her

Sources say The Chic Princess is also incredibly smart with some extremely impressive academic achievements including

⁃ took GED & got a perfect score in Korean,english & math

⁃ Won a Science Fair

⁃ Won Match Contest

⁃ Was her Class president 3 years in a row

⁃ willing joined sports

⁃ always putting time into her studies and ever wanted to be a news anchor +lawyer!!

no speaking of Lawyers...We must talk sbout the most fashionable lawyer out there..🎀 ; Elle Woods!!The Peppy Blonde Barbie From Bel-Air is Undeniably one of the most loved it girl characters out there!! she inspires many girls & women to do their absolute best in academics and maintain their authenticity and being charismatic and kind to those around her even with people who don’t like her!!, She’s literally the Pioneer of femininity in the work force bringing her girly & hyperfeminine personality + style while also studying law and becoming a lawyer

...but it’s not always glitz and glamour for Elleseeing as early on in the movie no one seems to genuinely taker her seriously and judging her too quickly because of her girly style,chipper personality & being a classic sorority queen but as elle and had more and more people on her back about her “being a ditz” “not being smart enough” she makes her own one women revolution on a quest to prove them all wrong! and when doing this she still doesn’t stray away from her bubbly personality and trendy style and with doing this proving thats girls can be girly and hyperfem and still be smart and pursue a career but even with doing this she can’t seem to shake the image of the stereotypical “Dumb Blonde” as we see in the movie when her professor seems to only hire ell because she’s pretty and not because of her academic success.

now obviously this makes elle spiral and think shes not good enough to where she ends up giving up becoming a lawyer because she feels as though because shes the stereotypical blonde rich girl from bel-air that she can’t be anything but a pretty face but still after the fact elle picks herself back up in one of the final scene of the MovieShowing up to the courtroom sport her ICONIC Pink dress and Bedazzled Pink Pumps and using her knowledge in fashion,beauty and cosmetics to ultimately win her case even withhaving the hard ship of not taken seriously!! 🎀

these two of literally in my top 3 favorites theyre just perfect and amazing and no matter what they do people are always talking about them no matter what rather good or bad they are truly it girls now What can we learn from these two dazzling women...

⁃ Hard work pays off

⁃ You can have beauty and brains

⁃ Never Dumb yourself down too be someone everyone else wants you to be

⁃ Always work hard no matter the circumstances

⁃ Take care of yourself

⁃ People opinions on you don’t Matter because at the end of the day you onlyhave to prove yourself to yourself

⁃ You’re So weird, Never change that!

| 𝜗𝜚݁ ˖ The Glitzy Divas !! 🎀

🛍 : The Glitzy Diva Type is my FAVORITE!! Im literally Obsessed with Kimora and Sharpay They Inspire me so much and theyre like soo iconic so ofc we have to start of with Mother Herself Mrs.

Kimora Lee Simmons 🛍 : The Mother of Baby Phat How made her breakthrough in the modeling industry at only 15 And Being Signed with Chanel She is Known for Her Love of

Fashion Glitz and Glamour The Fashion Maven coining her brand Baby Phat in 1999 rose to fame without question i mean her clothes are literally so iconic you name she has it !!

⁃ phone cases

⁃ jackets

⁃ jeans

⁃ Body Suits

⁃ Denim Jackets

⁃ Boots

⁃ Hats

⁃ Tank Tops

⁃ Buffer Coats

⁃ Lip Gloss

⁃ PerfumeSHE HAD IT ALL!!

Because she is literally just FABULOUS she has always had this love for the glitz and the glamour and always hold her self too a high standard if she wanted it she would get it and thats just the way its gonna be!!! she had a habit of running up Phone Bills,Credit Card etc. truly princess activities now what can we learn from this ICON!I can do everything by myself, the only person I have to look out for is myself - Kimora Lee SimmonsPersonally

i think she is trying to say she is only supposed to be validated within her self and Only Her Opinion Matter No Matter What and its so true because at the end of the day you know you best and all you’ll is yourself!All the hard work in the world won't get you anywhere if you don't powerfully project your personality and style. How are you going to differentiate yourself from them? - Kimora Lee Simmons

BE YOURSELF!! literally being your own authentic self is literally the ultimate it girl secret and you can literally see for yourself not all it girl are one in the same they are authentically their own and that makes them all special!!People want to throw things at you and make you fall off because you're at a certain enviable height. - Kimora Lee Simmons. Like honestly she such a philosopher and i don’t care like this is so true with all it girls people are always talking about them no matter what because they feel a certain sense of jealousy

towards them for no reason when these women are literally like the best people LOVE to hate on it girl so much they end of loving them They Love to Hate them and Hate 2 Love Them!! 🎀

Now lwts talk about another favorite of mine the FABULOUS ...

⭐ : Sharpay Evans !!

The one and Only Sharpay Evans The Queen Bee that everyone tried to tear down but if were being honest she will NEVER Fall She hold her self to princess standard with her fabulous self concept

“Everything Has to be Perfect for me” Fabulous by Sharpay Evans

Having Everyone always hating in her never stopped her still always being the school Queen Bee She is constantly talked about bye everyone!! i mean yeah she is quite snobby but she is still CRAZY AMBITIOUS. and shes willing to do any and everything to make sure she gets her way Shes The Princess and that will never change

No matter what people say about her own personal style she doesn’t care only her opinion matters Because she’s FABULOUS everything around her HAS to be Fabulous as well

⁃ Wardrobe

⁃ Hair

⁃ LockerEverything

She Believes that she is better than her peers and tbh.. She kinda Is i mean Their Vocals and performance were mediocre compared to SharpayShe stands about too much i mean her fabulousness was too much for them to handle shes

Her Iconess is

Stylish Pretty Iconic Talented Ambitious and Hardworking too much for them they can’t tell can’t HANDLE IT!!

Now what can we learn from these two FABULOUS ICONS

⁃ Only Your Opinion Matters

⁃ Always Put Yourself First

⁃ Keep Working Hard for what you want

⁃ If Something isn’t up to your standards don’t settle for less

⁃ No Matter how much people talk and knock you down you’re still gonna be above their Judgement!!

⁃ Only Conform too your own standard

CELEBS ;

i wanna start off this section strong and talk about jojo siwa's new release "karma". i've linked the music video there so u can watch it and feel free to share ur opinions in the comment section but shes been receiving lots of mixed reviews from netizens.

most of the backlash comes from interviews that shes done like when she said that she was the first person in her generation to have this major of a rebrand. a huge shift in all this drama tho was when people found out that she did NOT in fact write the song like she claimed she did, which does NOT look good for her

she bought the song from brit smith and its like, WORD FOR WORD. and people feel some kind of way bcuz jojo could've just straight up been honest and say that she bought the song, which a lot of artists in the music industry do and theres nothing inherently wrong with it.

but the problem is that she tried to make it seem like she wrote it and even goes as far as to claim that she did in fact write it. and now that its shown that she bought it from brit smith, it kinda just blew up in her face.

PREP FOR NEXT YEAR ;

as we know the 2023-2024 school year is coming to an end very soon and if ur anything like me, ur feeling FATIGUED. and rightfully so of course, school can be super taxing sometimes.

this is ur sign though to take a BREAK, spend a day just for you and for rejuvenation bcuz to keep going u need to have strength. school is almost done U GOT THIS. what helps me is to count down the days until school lets out so that i can be excited 🍹✨

now is the time tho to plan out what courses ur gonna take next year, wrap up whatever u need to for this school year so that u can walk into the next school year ready to dominate. make plans for the summer and hype urself up to have an amazing time!

thats all for this months catalog, there will be a new edition each month with new content and it'll be updated on a monthly basis so if thats something that interests you or if you like these kinds of posts stay tuned for the next, till next month girlies✨

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aceofstars16 · 9 months ago

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Well, I made a poll asking if I should post this now...and then I just go and post it without waiting to see what people voted haha xD

This was inspired by @athenoot (not letting me actually tag but I linked her blog!) and her super fun AU idea mashing up Drifting Stars and Relativity Falls!

I don't know if this works for @forduary but it does have portal Ford so *shrugs*

Summary: Mabel loves dimension hopping, but she is starting to miss having a home. And more than anything, she misses Dipper and Stan. However, she may end up seeing them sooner than expected…though they aren't exactly the same Dipper and Stan that she knows.

The street was packed, creatures of all sorts bustling to and fro. Even after months of being in other dimensions, Mabel was still overwhelmed by all of the different aliens. Her eyes couldn’t stop moving, even as Ford pulled her along, trying to make his way through the crowd.

They had arrived in this dimension a few days ago. Unfortunately, they had first been spat out in a rainforest with absolutely no civilization around. But after climbing a particularly tall tree, they had seen a town of sorts in the distance. Which is where they were now, hoping to find some food and maybe even shelter, that is, if Ford deemed this dimension safe enough to stay in for a little while.

At first, the constant travel had been fun for Mabel. Getting to explore a new world every few days was exhilarating. But she was surprised to find that more recently, she missed a place she could call home. Though, more than anything, she missed Dipper and Stan. Of course, she loved Ford too. He had been looking out for her ever since she had been pulled into the portal, and she couldn’t imagine her life without him now. But still…she wished she could be with Ford and the rest of her family.

Something bumped Mabel particularly hard and she was shaken from her thoughts as she lost her footing. Her hand was yanked out of Ford’s and she fell to the ground.

Panic gripped her and she quickly stood up and tried catching sight of Ford, but the constant movement of aliens made standing still impossible. She thought she heard someone calling her name, but it was hard to hear over the crowd.

“Grunkle Ford!” Yelling at the top of her lungs, Mabel, tried pushing her way through the crowd, in what she thought was the direction Ford had been walking. But no matter how hard she tried, she was too small, and she couldn’t make any headway against the crowd.

Spotting an alleyway through the sea of legs, Mabel spun, jumped, rolled, and crawled until she made it to the backstreet. It wasn’t empty, but it was slightly less crowded. Spotting a box that was sealed shut, she made her way to it and managed to climb on top. But as she looked out over the sea of creatures, she couldn’t spot her grunkle. Ford was nowhere to be seen. Panic overwhelmed her as she realized that she was alone, lost in an unfamiliar dimension with absolutely no clue as to what to do next. It was her worst nightmare.

------

Ford was frantic. He couldn’t believe he’d lost Mabel. He should’ve been holding onto her tighter. No, he should’ve just carried her. What had he been thinking? In a crowd this big, that was the most logical option, and yet he hadn’t thought of it before entering the market and now she was gone.

“Mabel!” He called out again. He thought he had heard her call out a moment ago, but this time there was no response.

Darned this busy city. Reasonably, a city this remote in a rainforest shouldn’t be this crowded. Though perhaps it being the only city for miles was the reason for all of the foot traffic. Either way, he really should’ve scoped out the layout first before walking in. That’s what he normally would’ve done. But Mabel hadn’t had food in over a day. So, her hunger along with the possibility of letting her sleep in a semi normal structure for the first time in…weeks? Had caused him to act rashly. He had only wanted to make sure she had what she needed, and maybe help her mental state. Over the past few weeks, Ford had occasionally caught her looking downcast – though she quickly smiled when she noticed him looking – and this had seemed like a good opportunity to help her feel better.

“So much for that…” Ford muttered under his breath as he continued searching for Mabel. He had just spotted a possible vantage point he could use when something grabbed his jacket and pulled it back.

“Geez, slow down Grunkle D-”

As Ford looked down at the source of the voice, it cut off. His own legs stalled as he saw the boy who was holding his jacket. It couldn’t be…

For a second, Ford was transported to another lifetime. So long ago it felt like a dream. Hot summers on Glass Shard Beach, playing in the water, exploring the sand dunes, fixing up the Stan O War.

He was looking at his brother from thirty years ago.

------

Crap, wrong old guy. Stan thought to himself as he stared up at the man who’s coat he’d grabbed. Now that he had a closer look, he could tell that said coat wasn’t quite the same as Dipper’s, and of course, the man wasn’t his grunkle (okay, technically Dipper wasn’t actually his great uncle either, but it made it easier to call him that, okay?). However, there was something oddly familiar about this guy…

Some other creature bumped into him, threatening to pull him along in the crowd once again, like it had earlier. But then a hand grabbed his arm, and the old guy was dragging him through the crowd.

“Hey, what gives? I’m not-” Stan grabbed at the guy’s hand, trying to get him to let go, only to stop when he really looked at the hand. Wait, six fingers…it couldn’t be…could it?

Looking up, Stan tried to get a better look at the guy’s face. Something had seemed familiar about it when he’d first seen him, but now he was facing away as he pulled Stan along. But six fingers… Suddenly, the bright sunlight disappeared as he was pulled into a small alleyway. There were still a few beings milling about, but not has many as in the main square. Then the man spun around to look at him.

“What are you doing here?”

Stan took a step back at the sharpness of the man’s voice. A tinge of fear grew in his chest. It wasn’t Dad, he knew that, but there was something so familiar about the words, the man’s stance, the look on his face - he couldn’t shake it. However, the ashamed expression when the old guy saw Stan shrink back wasn’t something Dad would’ve done.

“I-I don’t know. I was just here with my, well I call him my grunkle because-”

“Wait, wait, what? Your grunkle? Who?” Confusion crossed the guy’s face. “What’s his name?”

The man held up his hands and Stan found himself looking at them. He knew in this dimension, six fingers might not be an abnormal thing. But this guy was human, and he looked kind of like Dad…

“Are you my brother?” Stan blurted out before he could stop himself. It was hard to think about Ford looking old - that was just weird - but if he was old, well…Stan could see him looking kind of like this guy…

For a moment, the old man just stared at him, then signed and shook his head. “No, I’m not…well…kind of. I’m Stanford, but not your Stanford.”

“You mean there’s more than one of you? Are there more than one of me? Woah, we could build an army! Though I don’t know how much use an old guy would be but I’m sure you could do something. Oh, eww, am I old somewhere then? How-”

“Hold up. Just…one question at a time.” Old Ford had held out his hand again, as if wanting Stan to stop. He looked a little frustrated, but at the same time, there was the smallest bit of an amused smile on his face.

“There are…many different dimensions, and versions of you and me. I…haven’t met your older version,” a small shadow crossed his face, “but I’ve heard about him. However. That’s not important. What I need to know, is how you got here, and who are you looking for?”

Stan let out a huff. He thought Ford would be as excited as him about all of this but…then again, this was an old Ford and well…maybe he’d been in other dimensions a while and didn’t think it was cool anymore? Sometimes Dipper had seemed less thrilled about things than Stan thought were awesome. Or maybe it was just an old person thing? Gosh, Stan hoped he wasn’t a boring old guy in any dimension.

After a moment, he realized Ford was still looking at him questioningly and Stan realized that he’d have to tell this old version of his brother what had happened. He didn’t really want to, but he had a feeling Ford wouldn’t answer any of his questions unless Stan answered him first.

“Well…I kind of accidently got sucked into this big glowing circle thing that my Grantie Mabel really didn’t want me to shut off, then I met my Grunkle Dipper and we kind of…ran around jumping in all these portal things till we got here. And I swear I’d only been glancing at this cool gun shop, but somehow let go of his hand and then…I thought he was you.” Stan was a little surprised at how quickly the words came. Ever since he’d arrived in other dimensions, Dipper had told him to be careful about saying too much to the wrong people but…this was Ford. Sure, he was old but…it was still Ford. He could still tell him anything.

For a moment, Ford just stared at him, shock lining his face. Then he shook his head and took a breath. “Right…okay…We need to find your Dipper, and I need to…”

“What, you lose someone too?” Stan meant it as a joke, but his smile fell when he saw the concern on Ford’s face.

“Come on, it looks like the crowds are dying down some.” Ford held out his hand and without hesitation, Stan took it.

“I can help you find whoever you lost first. I’m sure Dipper is fine.”

Ford looked down at him, a disbelieving frown on his face. “I…we’ll see who we find first…”

Putting on his best show of confidence – which was easy seeing as he was used to doing it for Ford – Stan nodded. “I bet we’ll find them both in the next ten minutes!”

------

How could I lose him?!? The thought kept running through Dipper’s head. After months with Stan, he had grown accustom to the boy’s affinity for trouble, which included checking things out that he probably shouldn’t have. So he should’ve been extra diligent in a place as crowded as this, but while keeping an eye out for danger, he must have let go of Stan’s hand and now the boy was lost to a sea of creatures. Guilt and fear clawed at Dipper’s chest. After decades of being alone, he had come to enjoy Stan’s company, plus, he was family.

Taking a deep breath, Dipper tried to still his anxiety, though it was easier said then done. It had already been far too long since Stan had disappeared, and Dipper still couldn’t think of a way to find him aside from waiting for the crowds to die down. It wasn’t ideal, but it was the only option he could see. He really needed to find a better way to keep track of his, for a better word, nephew (he was never the best at remembering all of the names for distant relatives and Stan called him Great Uncle so it worked).

As he pushed his way to a slightly less busy part of the market, Dipper searched for a good vantage point he could wait at, while still keeping an eye out for Stan. That’s when he heard it.

Crying.

His feet stumbled to a stop and he quickly looked around, searching for its source. A bright splash of pink caught his eye – a bit out of place in the browns and tans of the city. Carefully making his way toward the figure, he tried pushing aside the feeling in his gut that something was familiar about the girl. Because, as he got closer, he could tell it was a girl, with short curly hair, and a bright pink sweater…

It’s not Mabel. He told himself, as he realized that’s who he was thinking of. Mabel was dimensions away and, well, she was as old as him now.

Crouching down, Dipper put on his best smile, despite his worry for Stan. “Hey, you okay there?”

The girl quickly looked up, her tear-filled eyes widening as she saw him.

Dipper found himself freezing as well. Because it was Mabel. Or, how she had looked as a kid. Sure, her hair was shorter and she looked more tired than she normally would’ve but…it was her.

He eyes flicked up to his hair then back down to his face. “D-Dipper?”

“I…yes, or no, it’s well…” Dipper frowned, he knew that the girl he was looking at wasn’t his sister. He’d been in enough dimensions to know that there were multiple versions of himself and his sister out there. And unless time travel was involved – which didn’t seem likely – this was simply another Mabel from another world. However…it still looked like her and…it still was a Mabel. He couldn’t push away the weight of responsibility to take care of her and make sure she got back where she needed to be.

“You’re from another dimension I guess…” Mabel’s quiet voice shook Dipper from his thoughts.

“Yeah…I…you know about those, huh?” Dipper remembered a day when he had been so excited about there being other dimensions, and other versions of himself. In a way it was still a nice thought, that maybe one version of himself hadn’t messed up…hadn’t ended up here. But it still didn’t change his situation, and after about a hundred different dimensions, survival was more important than excitement over new worlds.

“Yeah, Grunkle Ford told me about it once. He said he’d found a dimension where everyone was a baby once, he didn’t sound like he liked it but I think it would be fun…” Mabel gave Dipper a smile, though it wasn’t as bright as her normal smile. Or at least, like the one he remembered as a kid.

Then Mabel’s words registered and Dipper narrowed his eyes. “Wait, Ford? That…that’s Stan’s brother…” he muttered to himself.

Mabel perked up at that. “Stan? He’s here too?!?”

Dipper’s face fell as he remembered his predicament. “He…was…I…I lost track of him.”

“Oh…maybe I can help you find him! He can’t be too hard to find!”

A small smile grew on Dipper’s face at her optimism. Typical Mabel. “Well, he’s pretty small, about your size, but maybe with two-”

“WAIT STAN IS LITTLE?!?”

Dipper winced at the volume of her voice, but thankfully the creatures around didn’t pay much attention. “Yes, he’s about…” Dipper realized he didn’t actually know how old Stan was. “Maybe ten, or twelve? I’m not sure…”

“Oh my gosh, we have to find him! I gotta meet little Stan!” The brightness on Mabel’s face was a welcome change from the heaviness he had seen on it only a few moments ago. All traced of tears were gone.

A small laugh escaped Dipper and he nodded. “Well, alright then, let’s see if we can find him.” Holding out his hand, Dipper felt a small stab of sadness as Mabel immediately grabbed it. Just like when they were little…Shaking his head, he forced himself to focus. This wasn’t his dimension’s Mabel…but it was nice to see her again, even if it was only for a little while.

#gravity falls #gravity fall au #forduary #forduary 2024 #drifting stars au #relativity falls #relativity stars au #ford pines #mabel pines #dipper pines #stan pines #stanford pines #stanley pines #gravity falls fanfiction #aceo writes things

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sweeneydino · 1 year ago

Text

Welcome to my humble abode.

🏳️‍⚧️🏳️‍🌈 lgbtq+ safe space.

Surprise.

Ignore the soda cans and crumbled pieces of paper, never really got the chance to clean that up.

I am proud to announce a master post that I will likely never use!

Yes, I know, very useful.

It will collect dust just like all of my other projects and dreams.

Please note that this is my escape from life (ง˙∇˙)ว

Archive of Our Own (AO3) Fanfics

Lime meets emerald[HIATUS]

Spikeangelo

The Good Father

Comics

Weapons of Hamato [1]

Alternate Universe Shenanigans

Spikeangelo AU!

Au idea | Titan

Spikeangelo Asks!

Transporters don't act like they do in Space Heroes Leo! (TSHL) [CW: BODY HORROR]

Au Idea

Mold

Weapons of Hamato

Au Idea

New Friend [Part 1]

Weapons of Hamato

The Good Father

Au Idea | Rat Dads in New York

Grown Up Don

Future Menace

Past Remembrance / PT.2

Paper Scales/ Little Dragons [CW: MAJOR CHARACTER DEATH]

LITTLE DRAGONS

Au idea | Explored

Splintering | Father's Day | Forgive me

Himbo | Uncle Mike

New Years | January 1st

DANGER | Forms of a Monster | Trouble

Tot adventures

Actual fucking dragons | Dai | Mura & Aoi | Akai | COLORS

Fanart: 🧡 🧡 💜

A FANFIC BY @/SHYADRI ON TUMBLR AGAIN THANK YOU SMH CHECK THEM OUT PLEASE 🙏 IDK IF I SHOULD @ THEM HERE SO PLEASE LOOK THEM UP THANK YOU

Collection of other Free-to-use AUS [CW:BLOOD/GORE]

1 - 2 - 3 - 4 - 5

Honestly, a lot of my stuff is free to use. Just credit me is all I ask 😌

Animations

Shelldon's Daisy

Where is the pizza, Casey?

Give Splinter a break man

TAP

Sunrise Duo, but with a little red

Mystic Bab

Posers

Side Blogs

Mostly Sanic stuff with gay hedgehogs @lintandsteal

Stuff I scraped out of the bottom of my toilet (18+ ONLY because I have 0 clue what I'll pop out on there) @trashinyourpockets

A fair warning that although I draw A LOT fluff and baby turtles, I also draw(and sometimes write) whump, a lot of angst and gore/extremly violent art(those will be properly tagged in their own post).

I am very easily overwhelmed, so don't take my silence as me ignoring you! Usually, I just need a break before I can respond I can't promise that I'd respond in messages either cause I'm severely anxious, lol. Feel free to comment or message anyway! One day, I might answer--

My joy in drawing cute stuff must be counterbalanced.

#teenage mutant ninja turtles #tmnt #rottmnt #rise of the teenage mutant ninja turtles #art #crossover #tmnt crossover #tmnt 2012 #main post #master post #links

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my-autism-adhd-blog · 1 year ago

Note

Hi there! First of all I just discovered your blog and it helped me understand a lot about autism. I was recently diagnosed and I had maaany questions, and going through your blog gave me some answers. So thank you so much for your dedication! ✨

I was wondering if you could share some stuff about burnouts? I saw the post of the signs of burnouts, but I was wondering if you had information about what are the common causes or how to deal with them?

Have a great day/night!

Hi there,

I found some information in burnout recovery and causes:

Text

Signs

* Lack of motivation (hard to care about goals when everyday life is overwhelming)

* Loss of executive functioning abilities (decision-making, organization, etc.)

* Difficulty with self-care

* Easier to reach overload or meltdown

* Loss of speech, selective mutism

* Lethargy, exhaustion

* Illness, digestive issues

* Memory loss

* Inability to maintain masks or use social skills

* Overall seeming "more autistic" or stereotypical

* May have period of high energy before collapse

causes

* Passing as neurotypical / suppressing autistic traits

* Doing 'too much', too much stress

* Aging: needing more downtime, having less energy

* Changes, good or bad (relationships, jobs, living arrangements, belongings, environment, routines...)

* Sleep deprivation, poor nutrition, dehydration

* Illness

* Sensory or emotional overload

strategies

* Time

* Scheduling breaks, managing spoons

* Leave of absence

* Stimming, sensory diet

* Exercise

* Reassured and supports

* Routines

* Better environment/job/etc.

* Boundaries, saying 'no'

* Dropping the mask/façade

* Solitude

* Absolute quiet

* Creative projects, passions, special interests

* Paying attention to reactions and your body

Here’s another Infograph I found:

Text

Sleep and rest as much as you can. We often need more sleep than allistics and it is especially crucial to meet our need for extra sleep while in burnout.

Reduce your energy expenditure. Within reason, reduce social time and the amount of information you are taking in on a daily basis. This often means saying no, even to things you think you

"want" to do. (ex. re-watch TV rather than start new shows)

Engage in special interests at a comfortable and sustainable level. Rather than doing in-depth research, try decorating your space with posters or objects related to your special interests or watching a TV show related to one of them.

Focus on your hypersensitivities. Use earplugs/ headphones/sunglasses, use dishwashing gloves and a mask while cleaning, wear comfortable clothes, eat safe foods, leave spaces that are too bright, loud, or fragrant.

Stim!! MOVEMENT: dance, rock, tap, flap, stretch, walk, stim toys.

TOUCH: soft fabric, self-massage, play with hair. VISUAL: watch

TV/ movie, kaleidoscope, coloring book, satisfying videos

AUDIO/VOICE music, singing, echolalia. REPETATION/SORTING: solitaire, puzzles, sorting objects, repetitive doodles, counting.

VERY slowly create systers/routines that automate your care needs and implement them very slowly. This can look like visual aids, timers, lists, bullet journols, weekly routines, Expect if to take time and trial and error to get into these habits. Pick I-2 habits or systems to implement at a time, starting with the ones you're most excifed about.

Autistic burnout and Complex PTSD have a lot in common and executive dysfunction often increases during burnout, so resources made for these can be very helpful.

Burnout Recovery

I hope this helps. Thank you for the inbox. I hope you have a wonderful day/night. ♥️

#inbox #inbox reply #inbox is open

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qqueenofhades · 1 year ago

Note

Hello! This is kind of a weird ask, I'm sorry to bother you, but seeing as you're a very intelligent studied historian that I deeply respect, I was hoping you could offer some advice? Or like, things i could read? Lately, i feel like my critical thinking skills are emaciated and its scaring the shit out of me. I feel very slow and like I'm constantly missing important info in relation to news/history/social activism stuff. Thats so vague, sorry, but like any tips on how i can do better?

Aha, thank you. There was recently a good critical-thinking infograph on my dash, so obviously I thought I remembered who reblogged it and checked their blog, it wasn't them, thought it was someone else, checked their blog, it also wasn't them, and now I can't find it to link to. Alas. But I will try to sum up its main points and add a few of my own. I'm glad you're taking the initiative to work on this for yourself, and I will add that while it can seem difficult and overwhelming to sort through the mass of information, especially often-false, deliberately misleading, or otherwise bad information, there are a few tips to help you make some headway, and it's a skill that like any other skill, gets easier with practice. So yes.

The first and most general rule of thumb I would advise is the same thing that IT/computer people tell you about scam emails. If something is written in a way that induces urgency, panic, the feeling that you need to do something RIGHT NOW, or other guilt-tripping or anxiety-inducing language, it is -- to say the least -- questionable. This goes double if it's from anonymous unsourced accounts on social media, is topically or thematically related to a major crisis, or anything else. The intent is to create a panic response in you that overrides your critical faculties, your desire to do some basic Googling or double-checking or independent verification of its claims, and makes you think that you have to SHARE IT WITH EVERYONE NOW or you are personally and morally a bad person. Unfortunately, the world is complicated, issues and responses are complicated, and anyone insisting that there is Only One Solution and it's conveniently the one they're peddling should not be trusted. We used to laugh at parents and grandparents for naively forwarding or responding to obviously scam emails, but now young people are doing the exact same thing by blasting people with completely sourceless social media tweets, clips, and other manipulative BS that is intended to appeal to an emotional gut rather than an intellectual response. When you panic or feel negative emotions (anger, fear, grief, etc) you're more likely to act on something or share questionable information without thinking.

Likewise, you do have basic Internet literacy tools at your disposal. You can just throw a few keywords into Google or Wikipedia and see what comes up. Is any major news organization reporting on this? Is it obviously verifiable as a fake (see the disaster pictures of sharks swimming on highways that get shared after every hurricane)? Can you right-click, perform a reverse image search, and see if this is, for example, a picture from an unrelated war ten years ago instead of an up-to-date image of the current conflict? Especially with the ongoing Israel/Palestine imbroglio, we have people sharing propaganda (particularly Hamas propaganda) BY THE BUCKETLOAD and masquerading it as legitimate news organizations (tip: Quds News Network is literally the Hamas channel). This includes other scuzzy dirtbag-left websites like Grayzone and The Intercept, which often have implicit or explicit links to Russian-funded disinformation campaigns and other demoralizing or disrupting fake news that is deliberately designed to turn young left-leaning Westerners against the Democrats and other liberal political parties, which enables the electoral victory of the fascist far-right and feeds Putin's geopolitical and military aims. Likewise, half of our problems would be solved if tankies weren't so eager to gulp down and propagate anything "anti-Western" and thus amplify the Russian disinformation machine in a way even the Russians themselves sometimes struggle to do, but yeah. That relates to both Russia/Ukraine and Israel/Palestine.

Basically: TikTok, Twitter/X, Tumblr itself, and other platforms are absolutely RIFE with misinformation, and this is due partly to ownership (the Chinese government and Elon Fucking Musk have literally no goddamn reason whatsoever to build an unbiased algorithm, and have been repeatedly proven to be boosting bullshit that supports their particular worldviews) and partly due to the way in which the young Western left has paralyzed itself into hypocritical moral absolutes and pseudo-revolutionary ideology (which is only against the West itself and doesn't think that the rest of the world has agency to act or think for itself outside the West's influence, They Are Very Smart and Anti-Colonialist!) A lot of "information" in left-leaning social media spaces is therefore tainted by this perspective and often relies on flat-out, brazen, easily disprovable lies (like the popular Twitter account insisting that Biden could literally just overturn the Supreme Court if he really wanted to). Not all misinformation is that easy to spot, but with a severe lack of political, historical, civic, or social education (since it's become so polarized and school districts generally steer away from it or teach the watered-down version for fear of being attacked by Moms for Liberty or similar), it is quickly and easily passed along by people wanting trite and simplistic solutions for complex problems or who think the extent of social justice is posting the Right Opinions on social media.

As I said above, everything in the world is complicated and has multiple factors, different influences, possible solutions, involved actors, and external and internal causes. For the most part, if you're encountering anything that insists there's only one shiningly righteous answer (which conveniently is the one All Good and Moral People support!) and the other side is utterly and even demonically in the wrong, that is something that immediately needs a closer look and healthy skepticism. How was this situation created? Who has an interest in either maintaining the status quo, discouraging any change, or insisting that there's only one way to engage with/think about this issue? Who is being harmed and who is being helped by this rhetoric, including and especially when you yourself are encouraged to immediately spread it without criticism or cross-checking? Does it rely on obvious lies, ideological misinformation, or something designed to make you feel the aforementioned negative emotions? Is it independently corroborated? Where is it sourced from? When you put the author's name into Google, what comes up?

Also, I think it's important to add that as a result, it's simply not possible to distill complicated information into a few bite-sized and easily digestible social media chunks. If something is difficult to understand, that means you probably need to spend more time reading about it and encountering diverse perspectives, and that is research and work that has to take place primarily not on social media. You can ask for help and resources (such as you're doing right now, which I think is great!), but you can't use it as your chief or only source of information. You can and should obviously be aware of the limitations and biases of traditional media, but often that has turned into the conspiracy-theory "they never report on what's REALLY GOING ON, the only information you can trust is random anonymous social media accounts managed by God knows who." Traditional media, for better or worse, does have certain evidentiary standards, photographing, sourcing, and verifying requirements, and other ways to confirm that what they're writing about actually has some correspondence with reality. Yes, you need to be skeptical, but you can also trust that some of the initial legwork of verification has been done for you, and you can then move to more nuanced review, such as wording, presentation of perspective, who they're interviewing, any journalistic assumptions, any organizational shortcomings, etc.

Once again: there is a shit-ton of stuff out there, it is hard to instinctively know or understand how to engage with it, and it's okay if you don't automatically "get" everything you read. That's where the principle of actually taking the time to be informed comes in, and why you have to firmly divorce yourself from the notion that being socially aware or informed means just instantly posting or sharing on social media about the crisis of the week, especially if you didn't know anything about it beforehand and are just relying on the Leftist Groupthink to tell you how you should be reacting. Because things are complicated and dangerous, they take more effort to unpick than just instantly sharing a meme or random Twitter video or whatever. If you do in fact want to talk about these things constructively, and not just because you feel like you're peer-pressured into doing so and performing the Correct Opinions, then you will in fact need to spend non-social-media time and effort in learning about them.

If you're at a university, there are often subject catalogues, reference librarians, and other built-in tools that are there for you to use and which you SHOULD use (that's your tuition money, after all). That can help you identify trustworthy information sources and research best practices, and as you do that more often, it will help you have more of a feel for things when you encounter them in the wild. It's not easy at first, but once you get the hang of it, it becomes more so, and will make you more confident in your own judgments, beliefs, and values. That way when you encounter something that you KNOW is wrong, you won't be automatically pressured to share it just to fit in, because you will be able to tell yourself what the problems are.

Good luck!

#coffeeandcoyotes #ask #school stuff #critical thinking

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otdiaftg · 7 months ago

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WHAT'S NEXT:

The out pouring of love for this blog has swept me off my feet. I knew the logic behind the follower count, but this weekend proved to me without a shadow of a doubt just how much this fandom cherishes these characters and this story.

I am overwhelmed with adoration towards every. single. one. of you.

I took the weekend to finally recoup after the whirlwind of this past year but wanted to take a moment now to answer some of the questions I've seen pop up and to inform you all of what my plans are for what's next.

FREQUENTLY ASKED QUESTIONS:

WILL YOU CONTINUE THE ACCOUNT THIS YEAR?

This took me a long time to ponder and I wanted to make sure I was in the correct headspace to answer it. Short answer: No.

Long answer: All For The Game is near and dear to my heart. And the reason I began this account was because the dates for 2023 matched that of the dates they were meant to be in 2006. To continue it in the year 2024 would mean the dates would be completely wrong and a lot more logistics would have to occur beforehand.

But also-- I'm not the best when it comes to technology, especially when it comes to BOTS so every post that was published was typed out, formatted and scheduled by hand by me. I did not have help. I did not have proofreaders, or editors, or managers. I contacted all the artists myself, sorted through every single page of the artists to find matches to the story, read and re-read the books for exact or guesstimation of dates/times, and made a hell of a lot of typos on the way through all that.

There was probably an easier way that I could have done all this. But I didn't/don't know it. So that all boils down to: It’s a long and tiring process.

Don't get me wrong, it was worth all the hours. And all the sleepless nights I had getting everything done and out. I already thanked my support network, but without my wife and my best friend being there to make me another cup of coffee, walk our dog, do the chores and generally make sure I didn't crumble from the pressure -- none of this would have happened.

So, putting myself through that again, after everything that has happened this year alone-- felt like it would cheapen the experience I had when the dates won't even match.

That being said.... 2034 isn't that far away. >__>

WILL YOU BE DOING AN OTDITSC?

Short answer: No.... sorry.

Long answer: As stated, it is VERY hard to organize what and how I did. HOURS spent researching, organizing, scheduling, etc. Time spent away from my family and other hobbies. NOT time I regret (need to keep prefacing that) but time I want back now. At least for a little bit.

It also doesn't sit right for me to start an OTDITSC when I know some people are still waiting for their copies. There are so many of us out here (as I've come to find out) and I don't want to exclude people's enjoyment and connection that this account gives. I also feel like the more posts about TSC out there, the harder it is for those who are (lets say) waiting for the physical copies to block/mute spoilers. We can say a tag is enough, but this is the internet. And that's not always true.

And lastly, personally, TSC is still SO VERY NEW. It's not even complete yet and we don't 100% know when the next one will be published. I don't want to start something, get to the end of the timeline, and than have a huge gap between posts that will potentially be moments in the second book. It doesn't feel fair to their story, to myself, or to the followers of this account to have incorrect information for something I love so dearly. If I'm doing it. I want to do it right.

SO, WHAT'S NEXT?

Well. A lot. For me personally, as well as this account. I don't want to leave everyone in such a finite way. I love this fandom. I love its art and writings and the abundance of talent and joy that it exudes.

So first, for myself, as well as those artists who agreed to help with this account, I want to post, for the next 40 days Artist Highlights (that means this account will still be active until Friday, June 7th).

Every day, I will post about an Artist and the work that I wanted to post but couldn't fit in. I've said it before, and I'll say it again, these artists are the reason this account thrives. Art, in a multitude of forms, speaks in a way words can not. And these artists prove that.

I'm excited to show them off for a couple more weeks at least. They are all wonderful people.

AND, FINALLY:

To also tie us over, I am opening both my personal account as well as this account to questions.

Questions regarding the process, the story, the best movie out in theaters, whatever. I will be answering your questions (as fast as I can) until that last Artists Highlight day (Friday, June 7th). After this day, I will leave the questions answered up for a week, and then remove/delete them from this account. I want to make this more of an archive of sorts and will be updating the Timeline Page as this progresses as well, so you can move freely within the timeline.

Keep in mind that I am only one person, have a family and a full-time job-- so answers may be sporadic, but I will answer them.

This has truly been such a pleasure. And whether I get questions or not, I see you and I appreciate you. I hope your life is filled with everything you ever want, everything you need, and that you never let it go.

🦊 🧡- Kelysium

#aftg #all for the game #neil josten #tkm #the kings men #the foxhole court #andrew minyard #palmetto state university #psu foxes #andreil #on this day in aftg #otdiaftg #palmetto state foxes #otdi all for the game #nora sakavic #the foxes #on this day in all for the game

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canmom · 1 year ago

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Music Theory Notes (for science bitches) 1: chords & such

This is one of these series where I use my blog as a kind of study blog type thing. If you're knowledgeable about music theory, it will be very basic. But that's kind of the problem, I've really struggled to absorb those basics!

When I was a teenager I learned to play violin and played in orchestras. I could read music, and play decently enough, but I didn't really understand music. I just read what was on the page, and played the scales I had to play for exams.

Lately I've been trying to learn music again. This time my instruments are zhonghu, voice, and DAWs. At some point I might get my violin back too. But really, I'm a total beginner again, and this time I want to do it properly.

For a long time when I tried to learn about music I would get overwhelmed with terminology and jargon and conventions. I might watch videos on composition and they'd be interesting but a lot of it would just fly over my head, I'd just have to nod along because I had no idea what all the different types of chord and such were. I tried to learn from sites like musictheory.net, but I found it hard to figure out the logical structure to fit it all into.

I feel like I'm finally making a bit of headway, so it's time to take some notes. The idea here is not just to answer the what, but also to give some sense of why, a motivation. So in a sense this is a first attempt at writing the introduction to music theory I wish I'd had. This is going to assume you know a little bit about physics, but basically nothing about music.

What is music? From first principles.

This is impossible to answer in full generality, especially since as certain people would be quick to remind me, there's a whole corner of avant-garde composers who will cook up counterexamples to whatever claim you make. So let's narrow our focus: I'm talking about the 'most common' type of music in the society I inhabit, which is called 'tonal music'. (However some observations may be relevant to other types of music such as noise or purely rhythmic music.)

Music is generally an art form involving arranging sound waves in time into patterns (in the sense that illustration is about creating patterns on a 2D surface with light, animation is arranging illustrations in time, etc.).

Physically, sound is a pressure wave propagating through a medium, primarily air. As sound waves propagate, they will reflect off surfaces and go into superposition, and depending on the materials around, certain frequencies might be attenuated or amplified. So the way sound waves propagate in a space is very complicated!

But in general we've found we can pretty decently approximate the experience of listening to something using one or two 'audio tracks', which are played back at just one or two points. So for the sake of making headway, we will make an approximation: rather than worry about the entire sound field, we're going to talk about a one-dimensional function of time, namely the pressure at the idealised audio source. This is what gets displayed inside an audio editor. For example, here's me playing the zhonghu, recorded on a mic, as seen inside Audacity.

A wrinkle that is not relevant for this discussion: The idealised 'pressure wave' is a continuous real function of the reals (time to pressure). By contrast, computer audio is quantised in both the pressure level and time, and this is used to reconstruct a continuous pressure wave by convolution at playback time. (Just like a pixel is not a little square, an audio sample is not a constant pressure!) But I'm going to talk about real numbers until quantisation becomes relevant.

When the human eye receives light, the cone cells in the eye respond to the frequencies of EM radiation, creating just three different neural signals, but with incredibly high sensitivity to direction. By contrast, when the human ear receives sound, it is directed into an organ called the cochlea which is kind of like a cone rolled up into a spiral...

Inside this organ, the sound wave moves around the spiral, which has a fascinatingly complex structure that means different frequencies of wave will excite tiny hairs at different points along the tube. In effect, the cochlea performs a short-time Fourier transform of the incoming sound wave. Information about the direction of the incoming wave is given by the way it reflects off the shape of the ear, the difference between ears, and the movement of our head.

So! In contrast to light, where the brain receives a huge amount of information about directions of incoming light but only limited information of the frequency spectrum, with sound we receive a huge amount of information about the frequency spectrum but only quite limited information about its direction.

Music thus generally involves creating patterns with vibration frequencies in the sound wave. More than this, it's also generally about creating repeating patterns on a longer timescale, which is known as rhythm. This has something to do with the way neurons respond to signals but that's something I'm not well-versed in, and in any case it is heavily culturally mediated.

All right, so, this is the medium we have to play with. When we analyse an audio signal that represents music, we chop it up into small windows, and use a Fourier transform to find out the 'frequencies that are present in the signal'.

Most musical instruments are designed to make sounds that are combinations of certain frequencies at integer ratios. For example here is a plot of the [discrete] Fourier transform of a note played on the zhonghu:

The intensity of the signal is written in decibels, so it's actually a logarithmic scale despite looking linear. The frequency of the wave is written in Hertz, and plotted logarithmically as well. A pure sine wave would look like a thin vertical line; a slightly wider spike means it's a combination of a bunch of sine waves of very close frequencies.

The signal consists of one strong peak at 397Hz and nearby frequencies, and a series of peaks at (roughly) integer multiples of this frequency. In this case the second and third peaks are measured at 786Hz, and 1176Hz. Exact integer ratios would give us 794Hz and 1191Hz, but because the first peak is quite wide we'd expect there to be some error.

Some terminology: The first peak is called the fundamental, and the remaining peaks are known as overtones. The frequency of the fundamental is what defines this signal as a particular musical note, and the intensities of the overtone and widths of the peaks define the quality of the note - the thing that makes a flute and a violin playing the same fundamental frequency sound different when we listen to them. If you played two different notes at the same time, you'd get the spectrums of both notes added together - each note has its own fundamental and overtones.

OK, so far that's just basic audio analysis, nothing is specific to music. To go further we need to start imposing some kind of logical structure on the sound, defining relationships between the different notes.

The twelve-tone music system

There are many ways to do this, but in the West, one specific system has evolved as a kind of 'common language' that the vast majority of music is written in. As a language, it gives names to the notes, and defines a space of emotional connotations. We unconsciously learn this language as we go through the process of socialisation, just as we learn to interpret pictures, watch films, etc.

The system I'm about to outline is known as 12-tone equal temperament or "12TET". It was first cooked up in the 16th century almost simultaneously in China and Europe, but it truly became the standard tuning in the West around the 18th century, distilled from a hodgepodge of musical systems in use previously. In the 20th century, classical composers became rather bored of it and started experimenting with other systems of tonality. Nevertheless, it's the system used for the vast majority of popular music, film and game soundtracks, etc.

Other systems exist, just as complex. Western music tends to create scales of seven notes in an octave, but there are variants that use other amounts, like 6. And for example classical Indian music uses its own variant of a seven-note scale; there are also nuances within Western music such as 'just intonation' which we'll discuss in a bit; really, everything in music is really fucking complicated!

I'll be primarily discussing 12TET because 1. it's hard enough to understand just one system and this one is the most accessible; 2. this has a very nice mathematical structure which tickles my autismbrain. However, along the way we'll visit some variants, such as 'Pythagorean intervals'.

The goal is to try and not just say 'this is what the notation means' but explain why we might construct music this way. Since a lot of musical stuff is kept around for historical reasons, that will require some detours into history.

Octaves

So, what's the big idea here? Well, let's start with the idea of an octave. If you have two notes, let's call then M and N, and the frequency of N is twice the frequency of M... well, to the human ear, they sound very very closely related. In fact N is the first overtone of M - if you play M on almost any instrument, you're also hearing N.

Harmony, which we'll talk about in a minute, is the idea that two notes sound especially pleasant together - but this goes even further. So in many many music systems around the world, these two notes with frequency ratio of 2 are actually identified - they are in some sense 'the same note', and they're given the same name. This also means that further powers of 2, of e.g. 4, 8, 16, and so on, are also 'the same note'. We call the relationship between M and N an octave - we say if two notes are 'an octave apart', one has twice the frequency of the other.

For example, a note whose fundamental frequency is 261.626Hz is known as 'C' in the convention of 'concert pitch'. This implies an infinite series of other Cs, but since the human ear has a limited range of frequencies, in practice you have Cs from 8.176Hz up through 16744.036. These are given a series of numbers by convention, so 261.626Hz is called C4, often 'middle C'. 523.251Hz is C5, 1046.502Hz is C6, and so on. However, a lot of the time it doesn't matter which C you're talking about, so you just say 'C'.

But the identification of "C" with 261.626Hz * 2^N is just a convention (known as 'concert pitch'). Nothing is stopping you tuning to any other frequency: to build up the rest of the structure you just need some note to start with, and the rest unfolds using ratios.

Harmony and intervals

Music is less about individual notes, and more about the relationship between notes - either notes played at the same time, or in succession.

Between any two notes we have something called an interval determined by the ratio of their fundamental frequencies. We've already seen one interval: the octave, which has ratio 2.

The next interval to bring up is the 'fifth'. There are a few different variants of this idea, but generally speaking if two notes have a ratio of 1.5, they sound really really nice together. Why is this called a 'fifth'? Historical reasons, there is no way to shake this terminology, we're stuck with it. Just bear with me here, it will become semi-clear in a minute.

In the same vein, other ratios of small integers tend to sound 'harmonious'. They're satisfying to hear together. Ratios of larger integers, by contrast, feel unsatisfying. But this creates an idea of 'tension' and 'resolution'. If you play two notes together that don't harmonise as nicely, you create a feeling of expectation and tension; when you you play some notes that harmonise really well, that 'resolves' the tension and creates a sense of relief.

Building a scale - just intonation

The exact 3:2 integer ratio used in two tuning systems called 'Pythagorean tuning' and 'just intonation'. Using these kinds of integer ratios, you can unfold out a whole series of other notes, and that's how the Europeans generally did things before 12TET came along. For example, in 'just intonation', you might start with some frequency, and then procede in the ratios 9/8, 5/4, 4/3, 3/2, 5/3, 15/8, and at last 2 (the octave). These would be given a series of letters, creating a 'scale'.

What is a scale? A scale is something like the 'colour palette' for a piece of music. It's a set of notes you use. You might use notes from outside the scale but only very occasionally. Different scales are associated with different feelings - for example, the 'major scale' generally feels happy and triumphant, while a 'minor scale' tends to feel sad and forlorn. We'll talk a lot more about scales soon.

In the European musical tradition, a 'scale' consists of seven notes in each octave, so the notes are named by the first seven notes of the alphabet, i.e. A B C D E F G. A scale has a 'base note', and then you'd unfold the other frequencies using the ratios. An instrument such as a piano would be tuned to play a particular scale. The ratios above are one definition of a 'major scale', and starting with C as the base note, the resulting set of notes is called 'C Major'.

All these nice small-number ratios tend to sound really good together. But it becomes rather tricky if you want to play multiple scales on the same instrument. For example, say your piano is tuned in just intonation to C Major. This means, assuming you have a starting frequency we'll call C, you have the following notes available in a given octave:

C, D=(9/8)C, E=(5/4)C, F=(4/3)C, G=(3/2)C [the fifth!], A=(5/3)C, B=(15/8)C, and 2C [the start of the next octave].

Note: the interval we named the 'fifth' is the fifth note in this scale. It's actually the fifth note in the various minor scales too.

But now suppose you want to play with some different notes - let's say a scale we'll call 'A major', which has the same frequency ratios starting on the note we previously called A. Does our piano have the right keys to play this scale?

Well, the next note up from A would be (9/8)A, which would be (9/8)(5/3)C=(15/8)C - that's our B key, so far so good. Then (5/4)A=(5/4)(5/3)C=(25/12)C and... uh oh! We don't have a (25/12)C key, we have 2C, so if we start at A and go up two keys, we have a note that is slightly lower frequency than the one we're looking for.

What this means is that, depending on your tuning, you could only approximate the pretty integer ratios for any scale besides C major. (25/12) is pretty close to 2, so that might not seem so bad, but sometimes we'd land right in between two notes. We can approximate these notes by adding some more 'in between' piano keys. How should we work out what 'extra' keys to include? Well, there were multiple conventions, but we'll see there is some logic to it...

[You might ask, why are you spending so long on this historical system that is now considered obsolete? Well, intervals and their harmonious qualities are still really important in modern music, and it makes most sense to introduce them with the idea of 'small-integer ratios'.]

The semitone

We've seen if we build the 'major scale' using a bunch of 'nice' ratios, we have trouble playing other scales. The gap above may look rather haphazard and arbitrary, but hold on, we're working in exponential space here - shouldn't we be using a logarithmic scale? If I switch to a logarithmic x-axis, we suddenly get a rather appealing pattern...

All the gaps between successive notes are about the same size, except for the gap between E and F, and B and C, which are about half that size. If you try to work that out exactly, you run into the problems we saw above, where C to D is 9/8 or 1.125, but D to E is 10/9 or 1.11111... Even so, you can imagine how people who were playing around with sounds might notice, damn, these are nice even steps we have here. Though you might also notice places where, in this scheme, it's not completely even - for example G to A (ratio 10/9) is noticeably smaller than A to B (ratio 9/8).

We've obliquely approached the idea of dividing the octave up into 12 steps, where each step is about the size of the gap between E and F or B and C. We call each of these steps a 'semitone'. Two semitones make a 'whole tone'. We might fill in all the missing semitones in our scale here using whole-number ratios, which gives you the black keys on the piano. There are multiple schemes for doing this, and the ratios tend to get a bit uglier. In the system we've outlined so far, a 'semitone' is not a fixed ratio, even though it's always somewhere around 1.06.

The set of 12 semitones is called the 'chromatic scale'. It is something like the 'colour space' for Western music. When you compose a piece, you select some subset of the 12 semitones as your 'palette' - the 'scale of' a piece of music.

But we still have a problem here, which is the unevenness of the gaps we discussed above. This could be considered a feature, not a bug, since each scale would have its own 'character' - it's defined by a slightly different set of ratios. But it does add a lot of complication when moving between scales.

So let's say we take all this irregularity as a bug, and try to fix it. The solution is 'equal temperament', which is the idea that the semitone should always be the exact same ratio, allowing the instrument to play any scale you please without difficulty.

Posed like this, it's easy to work out what that ratio should be: if you want 12 equal steps to be an octave, each step must be the 12th root of 2. Which is an irrational number that is about 1.05946...

At this point you say, wait, Bryn, didn't you just start this all off by saying that the human ear likes to hear nice simple integer ratios of frequencies? And now you're telling me that we should actually use an irrational number, which can't be represented by any integer ratio? What gives? But it turns out the human ear isn't quite that picky. If you have a ratio of 7 semitones, or a ratio of 2^(7/12)=1.4983..., that's close enough to 1.5 to feel almost as good. And this brings a lot of huge advantages: you can easily move ('transpose') between different scales of the same type, and trust that all the relevant ratios will be the same.

Equal temperament was the eventual standard, but there was a gradual process of approaching it called stuff like 'well-tempered' or 'good temperament'. One of the major steps along the way was Bach's collection 'the well-tempered klavier', showing how a keyboard instrument with a suitable tuning could play music in every single established scale. Here's one of those pieces:

youtube

Although we're using these irrational numbers, inside the scale are certain intervals that are considered to have certain meanings - some that are 'consonant' and some that are 'dissonant'. We've already mentioned the 'fifth', which is the 'most consonant' ratio. The fifth consists of 7 semitones and it's roughly a 1.5 ratio in equal temperament. Its close cousin is the 'fourth', which consists of 5 semitones. Because it's so nice, the fifth is kind of 'neutral' - it's just there but it doesn't mean a lot on its own.

For the other important intervals we've got to introduce different types of scale.

The scale zoo

So, up above we introduced the 'major' scale. In semitones, the major scale is intervals of 2, 2, 1, 2, 2, 2, 1. This is also called a 'mode', specifically the 'Ionian mode'. There are seven different 'modes', representing different permutations of these intervals, which all have funky Greek names.

The major scale generally connotes "upbeat, happy, triumphant". There are 12 different major scales, taking the 12 different notes of the chromatic scale as the starting point for each one.

Next is the minor scale, which tends to feel more sad or mysterious. Actually there are a few different minor scales. The 'natural minor' goes 2, 1, 2, 2, 1, 2, 2. You might notice this is a cyclic permutation of the major scale! So in fact a natural minor scale is the same set of notes as a major scale. What makes it different?

Well, remember when we talked about tension and resolution? It's about how the notes are organised. Our starting note is the 'root' note of the scale, usually established early on in the piece of music - quite often the very first note of the piece. The way you move around that root note determines whether the piece 'feels' major or minor. So every major scale has a companion natural minor scale, and vice versa. The set of notes in a piece is enough to narrow it down to one minor and one major, but you have to look closer to figure out which one is most relevant.

The 'harmonic minor' is almost the same, but it raises the second-last note (the 7th) a semitone. So its semitone intervals are 2, 1, 2, 2, 1, 3, 1.

The 'melodic minor' raises both the 6th and 7th by one semitone, (edit: but usually only on the way up). So its semitone intervals are 2, 1, 2, 2, 2, 2, 1. (edit: When you come back down you tend to use the natural minor.)

If you talk about a 'minor scale' unqualified, you mean the natural minor. It's also the 'Aeolian mode' in that system of funky Greek names I mentioned earlier.

So that leads to a set of 24 scales, a major and minor scale for every semitone. These are the most common scale types that almost all Western tonal music is written in.

But we ain't done. Because remember I said there were all those other "modes"? These are actually just cyclic permutations of the major scale. There's a really nerdy Youtube channel called '8-bit music theory' that has a bunch of videos analysing them in the context of videogame music which I'm going to watch at some point now I finally have enough background to understand wtf he's talking about.

youtube

And of top of that you have all sorts of other variants that come from shifting a note up or down a semitone.

The cast of intervals

OK, so we've established the idea of scales. Now let's talk intervals. As you might guess from the 'fifth', the intervals are named after their position in the scale.

Let me repeat the two most common scale modes, in terms of number of semitones relative to the root note:

position: 1, 2, 3, 4, 5, 6, 7, 8 major: 0, 2, 4, 5, 7, 9, 11, 12 minor: 0, 2, 3, 5, 7, 8, 10, 12

So you can see the fourth and fifth are the same in both. But there's a difference in three places: the third, the sixth, and the seventh. In each case, the minor is down a semitone from the major.

The interval names are... not quite as simple as 'place in the scale', but that's mostly how it works. e.g. the 'major third' is four semitones and the 'minor third' is three.

The fourth and fifth, which are dual to each other (meaning going up a fifth takes you to the same note as going down a fourth, and vice versa) are called 'perfect'. The note right in between them, an interval of 6 semitones, is called the 'tritone'.

(You can also refer to these intervals as 'augmented' or 'diminished' versions of adjacent intervals. Just in case there wasn't enough terminology in the air. See the table for the names of every interval.)

So, with these names, what's the significance of each one? The thirds, sixths and sevenths are important, because they tell us whether we're in minor or major land when we're building chords. (More on that soon.)

The fifth and the octave are super consonant, as we've said. But the notes that are close to them, like the seventh, the second and even more so the tritone, are quite dissonant - they're near to a nice thing and ironically that leads to awkward ratios which feel uncomfy to our ears. So generally speaking, you use them to build tension and anticipation and set up for a resolution later. (Or don't, and deliberately leave them hanging.)

Of course all of these positions in the scale also have funky Latin names that describe their function.

There's a lot more complicated nuances that make the meaning of a particular interval very contextual, and I certainly couldn't claim to really understand in much depth, but that's basically what I understand about intervals so far.

Our goofy-ass musical notation system

So if semitones are the building block of everything, naturally the musical notation system we use in the modern 12TET era spaces everything out neatly in terms of semitones, right?

Right...?

Lmao no. Actually sheet music is written so that each row of the stave (or staff, the five lines you write notes on) represents a note of the C major scale. All the notes that aren't on the C major scale are represented with special symbols, namely ♯ (read 'sharp') which means 'go up a semitone', and ♭ (read 'flat') which means 'go down a semitone'. That means the same note can be notated in two different ways: A♯ and B♭ are the same note.

The above image shows the chromatic scale, notated in two different ways. Every step is exactly one semitone.

Since a given scale might end up using one of these 'in between' notes that has to be marked sharp or flat, and you don't want to do that for every single time that note appears. Luckily, it turns out that each major/minor scale pair ends up defining a unique set of notes to be adjusted up or down a semitone, called the 'key signature'. So you can write the key signature at the beginning of the piece, and it lasts until you change key signature. For example, the key of 'A♭ major' ends up having four sharps:

There is a formula you can use to work out the set of sharps or flats to write for a given key. (That's about the point I checked out on musictheory.net.)

There is some advantage to this system, which is that it very clearly tells you when the composer intends to shift into a different scale, and it saves space since with the usual scales there are no wasted lines. But it's also annoyingly arbitrary. You just have to remember that B to C is only a semitone, and the same for E to F.

What are those weird squiggly symbols? Those are 'clefs'. Each one assigns notes to specific lines. The first one 𝄞 is the 'treble clef', the second one 𝄢 is the 'bass clef'. Well, actually these are the 'G-clef' and the 'F-clef', and where they go on the stave determines note assignment, but thankfully this has been standardised and you will only ever see them in one place. The treble clef declares the lines to be E G B D F and the bass clef G B D F A.

There is also a rarer 'C-clef' which looks like 𝄡. This is usually used as the 'Alto clef' which means F A C E G.

This notation system seems needlessly convoluted, but we're rather stuck with it, because most of the music has been written in it already. It's not uncommon for people to come up with alternative notations, though, such as 'tabs' for a stringed instrument which indicate which position should be played on each string. Nowadays on computers, a lot of DAWs will instead use a 'piano roll' presentation which is organised by semitone.

And then there's chords.

Chords! And arpeggios!

A chord is when you play 3 or more notes at the same time.

Simple enough right? But if you wanna talk about it, you gotta have a way to give them names. And that's where things get fucking nuts.

But the basic chord type is a 'triad', consisting of three notes, separated by certain intervals. There are two standard types, which you basically assemble by taking every other note of a scale. In terms of semitones, these are:

Major triad: 0 - 4 - 7 Minor triad: 0 - 3 - 7

Then there's a bunch of variations, for example:

Augmented: 0 - 4 - 8 Diminished: 0 - 3 - 6 Suspended: 0 - 2 - 7 (sus2) or 0 - 5 - 7 (sus4) Dominant seventh: 0 - 4 - 7 - 10 Power: 0 - 7

There is a notation scheme for chords in pop, jazz, rock, etc., which starts with a root note and then adds a bunch of superscripts to tell you about any special features of a chord. So 'C' means the C Major triad (namely C,E,G) and 'Cm' or 'c' means the C Minor triad (namely C,E♭,G).

In musical composition, you usually tend to surround the melody (single voice) with a 'chord progression' that both harmonises and creates a sense of 'movement' from one chord to another. Some instruments like guitar and piano are really good at playing chords. On instruments that can't play chords, they can still play 'arpeggios', which is what happens if you take a chord and unroll it into a sequence of notes. Or you play in an ensemble and harmonise with the other players to create a chord together. Awww.

Given a scale, you can construct a series of seven triad chords, starting from each note of the scale. These are generally given scale-specific Roman numerals corresponding to the position in the scale, and they're used to analyse the progression of chords in a song. I pretty much learned about this today while writing this post, so I can't tell you much more than that.

Right now, that's about as far as I've gotten with chords. On a violin, you can play just two strings at the same time after all - I never had much need to learn about them so it remains a huge hole in my understanding of music. I can't recognise chords by ear at all. So I gotta learn more about them.

As much as I wrote this for my own benefit... if you found this post interesting, let me know. I might write more if people find this style of presentation appealing. ^^'

#Youtube #music #music theory #notes #music notes

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hg-aneh · 1 year ago

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hey i just saw your crowiel account and i wanted to say your art is really cute! ty for being comfortable enough to share it to use because its all very lovely :D

Only for Muriel Needs Love week ☝️

I already got some private quote rexeets (lol) and I'm not liking that one bit, but the support has been overwhelming and that outweighs the shittiness methinks 💛

ope and, uh, well, I never got a chance to properly thank everyone for all the love and nice messages I got during The Incident so Imma just say it now, I'm incredibly thankful for all of it, I wouldn't still be involved in social media if it wasn't for all the I miss you's and good wishes

So genuinely, to anyone who came to my defense or said anything in relation to the situation or even thought of something positive to contribute, thank you, you're the shit 👊💛

my crowriel account is public only for this week, as an event organized by some nice folk who also supported me is taking place at the moment

again, thank you all, thank you mx. anon for the compliment and sorry for using your ask answer as a blog post amfnkx

#aneh answers #crowriel #idk why i call it that when muriel tops #murowley

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henrioo · 6 months ago

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°•*⁀➷ YOU'RE TOO SWEET FOR ME: KILLER

꒰ SYNOPSIS ꒱ : "Only him, with his sweet silence, sweet touch and sweet love would convince you to open your heart. He was sweet for his own good... At least he was for you"

꒰ WARNINGS ꒱ : Male! Reader (can be trans or not), gay relationship, homo relationship, cannon au (so pirates duh), some mention about short duration relationships, mentions about lies and promises about relationships, some cool guy trying to rizz the reader (and failing), nothing really triggering

꒰ WC ꒱ : 1,3k

꒰ NOTES ꒱ : I wrote that when I was trying to get back on writing, it was from days ago now, it's not one of my best works but is sweet enough to make me actually like this one. Still in my fight of getting back on writing again so pls have patience with me. Fem, blank blogs and no pronouns = block

You continued drying the glasses behind the counter, while a young boy leaned against it. Big smile, shirt open to show a little of his chest and sleeves rolled up to show off his muscular arms, well-groomed hair and clean clothes. He was here sweet talking and hitting on you a while ago, what was his name again? You didn't make a point of keeping it in your memory.

"You know darling... I'm just trying to say that I know lots of ways we can have fun together" He said looking at you seductively and you held yourself back from looking at him with disgust. That wouldn't be good for business.

"Well you see... I'm a little..." You were cut off when the bar doors opened with some force, it was still early and the place was empty. Besides, of course, the flirty guy.

There he was. A man taller and stronger than anyone else on this island, long blonde hair was on his back, the white helmet with blue stripes prevented anyone from knowing his true intentions while leaving a deadly aura. The soldier of the massacre, one of the worst generation pirates, first mate of a famous pirate crew... Killer.

The man who was flirting with you straightened up and stopped talking, he now seemed nervous and uncomfortable. Of course yes, he could have sweet words but nothing more than that, no one on this island had enough strength to go against the pirates who arrived at the port a few days ago. That's why all the civilians were being cautious, trying their best not to get into trouble, there were no marines on this island and no one wanted to end up dead for angering a dangerous pirate.

“Welcome” You said, and now the smile on his face seemed a little more genuine.

The pirate didn't answer you, he just walked closer to the counter. The way he towered over you and the other man was somehow overwhelming, although you weren't scared by it.

"Are you busy?" He said, a serious tone that could have sounded like a threat, although you knew it was his calm voice.

You looked at the other man, the flirty idiot, silently asking what his next move would be. Would he fight for his right to flirt with you? Of course not, he immediately swallowed deeply and ran out of the bar, not bothering to say goodbye to you. How embarrassing...

"I hope I'm not scaring your clients," Killer said as he sat down at the counter.

"You guys definitely are, no one wants to come over for a drink and risk running into the infamous Kid Pirates" You smiled at him, joking about the situation, then filled a glass with beer, added a straw and offered it to him. "You came back."

“Good for me, less annoying drunks to deal with” he huffed accepting the glass, after a few seconds of drinking through the straw he looked at you. Although you couldn't see his eyes, you knew he was looking at you deeply. "I said I would come back."

“You said,” You smiled, cheeks hot as you turned away, pretending to organize plates, glasses, and other things, just to avoid looking at him.

"So? Do you have your answer?" He said as he rested his arms on the counter.

“I…” You bit your lip nervously. You had been working as a bartender for many years, your uncle was old and could no longer take care of the bar so this became your job.

You learned to appreciate the bar over time, it was tiring, but you lived your little adventure here. Among the drunk locals and visitors you were able to hear stories, meet people and discover islands. It was like traveling without leaving your place, you met a lot of people, you even made some friends, you had some passions, but you knew that all the visitors would leave. This made you not get lost in promises and sweet words, you needed something stable, someone who would always be with you regardless of the situation... And not promises without truths.

Of course, this fell apart when Killer arrived, his carefree manner, his acidic humor, his responsibility and independence. He was a man like no other, just a light laugh from him or a touch from his calloused hands could make you sleepless for hours. It even seemed like a joke the way he was able to disarm you so easily, he spoke so little and wore a mask that prevented you from seeing his face, how did he have so much power over you?!

And it turned out that you weren't the only one interested, it seemed that the blonde had also paid a lot of attention to you in the last few days. Everything he did with you was more than purposeful, the flirtations too subtle to leave you confused, the touches that seemed accidental, even when he stayed with you until the end of the night and took you to his house. All this just to be able to approach you subtly and not make you run away from him.

And it worked... Well, for the most part, since two days ago, when he admitted that he was very interested in you and would like to go on a date, you simply froze. White head, dry throat, limp body, it was as if you had forgotten how to act like a functional human! You weren't a child! You had already dealt with romance before, so how was it possible for him to completely dismantle you? Passing through all your barriers without any effort!

In the end you asked for some time to consider the request, for the two days you wondered if he would really come back... Maybe it was just a joke? Would he change his mind? You were nervous about all the possibilities. However, as soon as you saw him entering the bar, just like he always did, sitting and talking to you... his body found peace.

You weren't nervous anymore, your heart wasn't beating strangely anymore, you felt light and a little dizzy. You felt safe next to him... This was so embarrassing because because they were internal reactions he wasn't even able to see what he was doing to you!

"Then?" You could almost hear his smile, damn proud bastard, he always knew what his answer was, didn't he?

"Well..." You turned around, crossing your arms and trying to go back to being the harsh and aggressive man that some knew you to be. "If you're determined to tarnish your reputation as a fearsome pirate by going out with some random man who owns a bar..."

"An extremely attractive man" He corrected you and you swallowed deeply.

"Right, with an extremely attractive man like me... I couldn't pass you up and turn down that compliment..." You smiled looking at him.

"Lucky me" He stood up "And a shame for you, because when I like someone I'm not letting them go so easily..."

"Oh yeah? That would be a problem... After all, I live here and you're leaving in a few days" You said. Although this was a strange feeling for you, this had never happened before with any other lover, you had never wanted to leave everything behind and run away with someone. But with Killer you wanted it.

"No problem... I'm a pirate, I can just rob you" He said confidently.

"It's not stealing if I agree to go along, right?" You said, getting out from behind the counter and walking over to him.

"No... But what fun is it to say that you came of your own free will?" He said amusedly as he ran his hand around your waist and moved to your back, gently guiding you to get closer to him. You just laughed letting him guide you, it seemed like now you were going to have adventures again, but this time not stuck behind a bar counter. No, no... You will now experience them personally, with someone very interesting by your side.

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